• Education

• 2004 BFA, School of Visual Arts, New York, NY

• Solo Exhibitions

• 2025 Forthcoming, Newchild Gallery, Antwerp, Belgium
• 2023 Passage, Capsule Shanghai, Shanghai, China
• 2021 Chris Oh: Landscapes, Fortnight Institute, New York, NY
• 2020 Chris Oh: Esprit, solo presentation at Independent, New York, NY
• 2018 Interiors, organized by Fortnight Institute, Sargent's Daughters, New York, NY
• 2016 Chris Oh: PLAYS, Fortnight Institute, New York, NY

• Selected Group Exhibitions

• 2025 Fleurs du mal, Silke Lindner, New York, NY
• 2025 Lovers, Main Projects, Richmond, VA
• 2025 Penumbra, presented by Newchild Gallery, Frieze No.9 Cork Street, London, UK
• 2025 Spectral Stepping, Snow Gallery, Brooklyn, NY
• 2024 On Alchemy, Roberts Projects, Los Angeles, CA
• 2024 Monomythology, curated by Tania and Thomas Asbæk, The Hole, New York, NY
• 2024 The Golden Ratio, Soho Revue Gallery, London, UK
• 2024 When We Become Us², Capsule Venice, Venice, Italy
• 2023 Portal, Arusha Gallery, London, UK
• 2023 Pictures Girls Make: Portraitures, curated by Alison M. Gingeras, Blum & Poe, Los Angeles, CA
• 2023 Homo Angelicus, curated by Frank Haines, Snow Gallery, New York, NY
• 2022 Now I am a lake, curated by Rose Nestler, Public Gallery, London, UK
• 2022 The Views, curated by Zoe Fisher, Moskowitz Bayse, Los Angeles, CA
• 2021 In Search of the Miraculous, curated by Jonathan Rider, The FLAG Art Foundation, New York, NY
• 2021 Nine Lives, Fortnight Institute, New York, NY
• 2021 The Interior, Venus Over Manhattan, New York, NY
• 2021 Desire Encapsulated, Make Room, Los Angeles, CA
• 2021 Balloons Dropping From A Ceiling Fan, curated by Morgan Blair, Left Field Gallery, Los Osos, CA
• 2021 Hunters in the Snow, curated by Fortnight Institute, 303 Gallery, New York, NY
• 2020 Painting is Painting's Food: Art History as Muse, curated by Alison M. Gingeras, South Etna, Montauk, NY
• 2019 GARDEN, Shrine/Sargent's Daughters, New York, NY
• 2019 The Views: Paintings of Windows, Fisher Parrish Gallery, Brooklyn, NY
• 2018 Life Expectancy, curated by Joseph Dolinsky, SSD, New York, NY
• 2018 The Ashtray Show, Fisher Parrish Gallery, Brooklyn, NY
• 2018 A Tree Falls in the Woods, curated by FMLY Projects, Hashimoto Contemporary, San Francisco, CA
• 2017 Timeshare, curated by Eden Deering and Sydney Fishman, Zaha Hadid 520 West 28th Street, New York, NY
• 2017 Another Man's Treasure, Edward Ressle Gallery, New York, NY
• 2017 The Paperweight Show, Fisher Parrish Gallery, Brooklyn, NY
• 2016 Summer Reading, Fortnight Institute, New York, NY
• 2016 Painter Production Parity, Small Editions, Brooklyn, NY
• 2016 Subcurrent, Galerie Manque, Brooklyn, NY
• 2015 Philip H. Ashley & Chris Oh, Safe Gallery, Brooklyn, NY
• 2015 Salon Society 2, Salon Society, Brooklyn, NY
• 2015 Days Gone By, Galerie Manque, Brooklyn NY
• 2015 Maybe I'm Amazed, curated by Sorry Archive, Knockdown Center, Maspeth NY

• Bibliography

• Halperin, Julia. “True to Size: Why are More Painters Drastically Scaling Down their Work?” The New York Times Style Magazine, 9 Mar. 2025, p. 42.
• Vincler, John. “Feminist Nudes, Evil Flowers, and Musical Notation: Three Critics on What to See in New York this March.” Cultured, 5 Mar. 2025. Online.
• Yi, Hyun (ed.). “Super Nova - Rising Stars in 47.” Art in Culture, Mar. 2025, pp. 106-107, 128.
• DRAIN, Issue no. 2, Nov. 2024, pp. 20-30.
• Pallavicini, Paola. “Il rinascimento nordico tra le dita di Chris.” Stanze, 28 Dec. 2024, pp. 126-131.
• Sporn, Stephanie. “The Artsy Vanguard 2025: Chris Oh.” Artsy, 21 Oct. 2024. Online.
• Wang, Youyou. “Critics Page: The Emotional Foundations of Everyday Life.” The Brooklyn Rail, July/Aug. 2024. Online.
• Gingeras et al. 2024. “Pictures Girls Make”: Portraitures, BLUM, Sept. 9-Oct. 1, 2023. [Exhibition catalogue]. Los Angeles: BLUM Books.
• “Portfolio: Chris Oh, Passages”, The Paris Review, Issue no. 247, Spring 2024, pp. 93-108.
• Thaddeus-Johns, Josie. “Artsy Editorial: 5 Artists on Our Radar in January 2024.” Artsy, 8 Jan. 2024. Online.
• Ebert, Grace. “Reflecting Time Passing, Chris Oh Reinterprets Works of the Northern Renaissance on Ephemeral Substrates.” COLOSSAL, 4 Jan. 2024. Online.
• BTR. “Critics Picks: Chris Oh.” Artforum China, 15 Dec. 2023. Online.
• White, Katie. "One-to-Watch Chris Oh Replicates Classic Renaissance Imagery Onto Geodes, Shells, and Other Natural Forms to Uncanny Effect." Artnet, 14 July 2023. Online.
• Wetzler, Katie. “The Renaissance is Having a Renaissance.” The New York Times Style Magazine, 10 July 2023. Online.
• Wise, Louis. “The Renaissance, reborn.” Financial Times, 13 Dec. 2022. Online.
• Lakin, Max. “Reviews: Chris Oh, Fortnight Institute.” Artforum, Feb. 2022, pp. 159-60.
• Wei, Lilly. “In Search of the Miraculous.” Sculpture Magazine, 10 Dec. 2021. Online.
• Kinsella, Eileen. “Editor’s Picks: 14 Events for Your Art Calendar This Week, From a Hand- Drawn Film on Mythological Beasts to a Talk on Artemisia Gentileschi.” ArtNet, 9 Nov. 2021. Online.
• Oh, Chris. (2020) Esprit. New York: Fortnight Institute.
• Carney, Sean. “Podcast: Chris Oh.” Humor and the Abject, 29 Apr. 2018. Online.
• Garner, Alex.”Reviews: Chris Oh, Sargent’s Daughters.” Artforum, Apr. 2018, p. 186.
• Sokol, Zach. “Across the Spectrum of Taste: In Conversation with Chris Oh.” Art in America, 12 Jan. 2017. Online.
• “Gallery: Chris Oh.” Let’s Panic, Issue no. 4. Fall/Winter 2017, pp. 206-7.
• Oh, Chris. (2016) Codex. Melbourne: Heavy Time Books.
• RATs, issue no.2, 2016, pp. 38-41.